• “No home for him, no way”: George P Elliot’s Religious Reversion from Modernism

   

• Love and Religion in Mr. Gilfil’s Love Story

   

• Embodying Conflicted Faith and Questionable Grace: The Women of Robert Stone’s “Helping” and “Miserere”

   

• T. S. Eliot, New English Weekly,and the Audience of Four Quartets